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Women

Iranian Influential Women Simin Behbahani (1927-2014)

August 14, 2023
Shadyar Omrani
5 min read
Simin Behbahani’s many admirers called her the “lioness of Iran” and the nation’s literary conscience
Simin Behbahani’s many admirers called her the “lioness of Iran” and the nation’s literary conscience
Simin Behbahani was an icon of modern Persian poetry and was nominated twice for the Nobel Prize in Literature
Simin Behbahani was an icon of modern Persian poetry and was nominated twice for the Nobel Prize in Literature

Simin Behbahani was a poet, writer, women’s rights activist and a founder of the Iranian Writers' Association, a non-profit organization and an affiliate of PEN International, the literary freedom of expression group. She was nominated for the Nobel Prize in Literature twice, in 1999 and 2002. In 2009, Behbahani received the Simone de Beauvoir Prize for Women's Freedom on behalf of women's rights activists in Iran.

Among her many admirers, Behbahani was known as the “lioness of Iran” and the nation’s literary conscience.

The Iranian Writers’ Association started its activities in 1968 under Iran’s Pahlavi dynasty and was the first professional association for writers in Iran. Writers did not have an easy time under the monarchy, but since the Islamic Revolution of 1979 members of the association have faced harassment, prison, torture, exile and, of course, censorship. Over a 10-year period, from 1988-1998, intellectuals were targeted in a series of extrajudicial killings that became known as the “Chain Murders.” Two of the association’s members, Mohammad Mokhtari and Mohammad Jafar Pouyandeh, were among those assassinated and there were attempts on the lives of a number of others.

Simin Behbahani was born in June 1927 to a literary family. Her father, Abbas Khalili, was a poet, writer and newspaper editor. Her mother, Fakhr Ozma Arghun, was a poet and a member of the progressive Association of Patriotic Women between 1925 and 1929.

Behbahani started writing poetry when she was only 12 and published her first collection at the age of 14.

In 1958, she began studying law at Tehran University, but after graduation she preferred teaching over practicing law.

Before the revolution, Behbahani also wrote lyrics for popular Iranian singers and she sat on the Iranian National Radio and TV’s Music Council. Themes of patriotism, poverty, freedom of expression and women’s rights run through her lyrics and poetry.

In the summer of 1988, when the Islamic Republic massacred countless numbers of political prisoners without returning their bodies to their families or informing them where they were buried, Simin Behbahani published a poem dedicated to the victims’ mothers.

When police forces gunned down a young woman, Neda Agha Soltan, during the protests that followed the disputed 2009 presidential election, Behbahani dedicated a poem in the victim’s memory: “Dead you are not, dead you will not be/Always you will live, live with eternal life/You embody the people’s call [Neda].”

On March 20, 2011, to mark the Iranian new year, US President Barack Obama issued a message to the people of Iran, quoting Simin Behbahani: “Old, I may be, but, given the chance, I will learn. I will begin a second youth alongside my progeny. I will recite the Hadith of love of country with such fervor as to make each word bear life.” Obama called Behbahani “a woman who has been banned from traveling beyond Iran, even though her words have moved the world.”

Behbahani also participated in rallies supporting causes important to her. Once security agents beat her during a women’s protest in Tehran’s Daneshjou Park. And when women staged a sit-in in front of parliament to protest legislation that they believed trampled on their rights, she joined them despite her advanced years.

Behbahani received several awards for her activities in support of human rights, including the 1998 Human Rights Watch Hellman-Hammet Grant and the 2006 Norwegian Authors' Union Freedom of Expression Prize.

In March 2010, she planned to travel to Paris to receive medical treatment and deliver an address on International Women’s Day. As she was about to board the plane, she was detained and interrogated an entire night, although she was in her eighties and nearly blind. Her passport was seized and she was banned from traveling abroad.

Behbahani died on August 19, 2014, after spending 13 days in a coma. She was 87. Literary figures and many young fans of her poetry attended the funeral, and social media were flooded with praise for her and her work. Official radio and television did not even report her death, which was not unexpected. Jahan News, a hard-line website, once characterized Behbahani’s writing as treasonous: “Her poetry, with its slanderous and scandalous way of addressing Iranians, only serves to make Iran’s enemies happy.”

But as long as she was alive, Behbahani did not stop defending the powerless and standing up against injustice.

For millions of Iranians inside the country and abroad, Simin Behbahani was the “eloquent voice of conscience,” according to Farzaneh Milani, a scholar of Persian literature at the University of Virginia. “She was the elegant voice of dissent, of conscience, of non-violence, of the refusal to be ideological.”

“Disillusioned by the revolution she had initially supported, she was the first poet to bemoan the violence, the disruption of everyday life, the murder of beauty, the disappearance of the simple pleasures of life,” wrote Milani. “She condemned merciless vigilantes and bands of angry zealots who sprang up like weeds after the rain in that parched land. She likened them to the archetypal tyrant, the king-turned-cannibal. She called them domestic snakes, monsters, hoodlums and hatchet men who turned a season of hope into a time of terror and tyranny.”

“No matter how drab the reality, no matter how oppressive the circumstances – and the reality was drab, the circumstances were oppressive – optimism and a sense of resistance shine through and the magical spell of her audacious hope lifts the heart, consoles the soul and promises better days. ‘My country, I will build you again/ If need be, with bricks made from my life.’”

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